Open Thinkering

Menu

Tag: social networks

Countering misinformation in federated social networks: an introduction to the Zappa project

Illustration of birds from Bonfire website

One thing I’ve learned from spending all of my adult life online and being involved in lots of innovation projects is that you can have the best bookmarking system in the world, but it means nothing if you don’t do something with the stuff you’ve bookmarked. Usually, for me, that means turning what I’ve filed away into some kind of blog post. It’s basically the reason Thought Shrapnel exists.


Last week I started some new work with the Bonfire team called the Zappa project. Bonfire is a fork of CommonsPub, the underlying codebase for MoodleNet.

Self-host your online community and shape your experience at the most granular level: add and remove features, change behaviours and appearance, tune, swap or turn off algorithms. You are in total control.

Bonfire is modular, with different extensions allowing communities to customise their own social network. The focus of Zappa is shaped by a grant from the Culture of Solidarity Fund.

The grant will be used to release a beta version of Bonfire Social and to develop Zappa – a custom bonfire extension to empower communities with a dedicated tool to deal with the coronavirus “infodemic” and online misinformation in general.

The announcement blog post talks of “experimental artificial intelligence engines” and “Zappa scores” which may be longer-term goals, while my job is to talk to people with real-world needs right now. As I’ve learned from being involved in quite a few innovation projects over the last 20 years, there’s a sweet spot between what’s useful, theoretically sound, and technically achievable.


Last week, I met with Ivan to try and do some definition of user groups and the initial scope of the project. It’s easy to think that the possible target audience is ‘everyone’ but it’s of much more value to think about who the Zappa project is likely to be useful for in the near future.

Priority areas for stakeholders, user groups, and themes

The above Whimsical board shows:

  • a list of people we can/should speak to (we’ve spoken with two orgs so far)
  • themes of which we should be aware/cognisant
  • groups of people we should talk with

The latter two lists are prioritised based on our current thinking and, as you can see, it’s biased towards action, towards those who don’t have merely an academic interest in the Zappa project, but who have some skin in the anti-misinformation game.


A note in passing: many people use ‘misinformation’ and ‘disinformation’ as near-synonyms of one another. But, even in common usage, it’s clear that they have an important difference in meaning.

We’d say, for example, that someone was ‘misinformed’, in which case their lack of having the correct information wouldn’t necessarily be their fault. On the other hand, we might talk about state actors waging a ‘disinformation’ campaign, which very much would be intentional, and probably focused on creating a mixture of fear, uncertainty, and/or doubt.

The line between misinformation and disinformation can be blurry, but it’s probably helpful to conceptualise what we’re doing in the terms of the grant: to help “empower communities with a dedicated tool to deal with the coronavirus ‘infodemic’ and online misinformation in general”.


One of the resources that I’ve found particularly helpful (and which I wish I’d seen before presenting on Truth, Lies & Digital Fluency a couple of years ago) is Fake news. It’s complicated. Its author, Claire Wardle from First Draft, lays out 7 Types of Mis- and Disinformation on a spectrum from ‘satire or parody’ (which some wouldn’t even conceptualise as misinformation) through ‘fabricated content’ (which most people would definitely consider disinformation).

7 Types of Mis- and Disinformation

Some of the differences between these types can be quite nuanced, and so I found the Misinformation Matrix in the post really useful for looking at the reasons for the misinformation being published in the first place. These range from sloppy journalistic practices, through to flat-out propaganda.

Misinformation Matrix

What the user research we’re doing at the moment is focused upon is what types of misinformation human rights organisations, scientists, and other front-line orgs are suffering from, how and where these are manifested, and what they’ve tried to do about it.

So far, we’ve discovered that countering misinformation can be a huge time suck for people who are often volunteering for charities, non-profits, or loosely-organised groups. It seems that some areas of the world seem to suffer more than others, and particular platforms are currently doing worse than others. All of them could, of course, could do much better.


We’re still gathering people and organisations for this project. So if, based on the above, you know someone who you think it might help us to talk to, then please get in touch! You can leave a comment below, or get in contact via email.

3 ways to gain control of your Twitter feed

Illustration showing someone looking at a screen with the light shining on their face

Aral’s post Hell site reminded me that, while I’ve talked about deactivating and reactivating my Twitter account several times, I haven’t mentioned ways in which I’ve found to battle the algorithmic timeline.

What is an algorithmic timeline? Let me try and explain.

What you think happens when you tweet: “I have 44,000 people following me. When I write something, 44,000 people will see it.”

What actually happens when you tweet: Your tweet might reach zero, fifteen, a few hundred, or a few thousand people.

Based on what?

Fuck knows.

(Or, more precisely, only Twitter, Inc., knows.)

So an algorithmic timeline is a black box that filters reality and decides who gets to see what and when based on an entirely arbitrary set of criteria determined by the corporate entity it belongs to.

Aral Balkan

Just to say in passing that it makes entire sense from the software-with-shareholders’ point of view to have an algorithmic timeline. It allows them more control over what people see, and ensures both that people with few followers still see plenty of stuff, and people with lots of followers don’t get overwhelmed.

It’s now almost seven years since I published Curate or Be Curated at the time when Twitter was about to introduce their algorithmic feed:

There has been a lot of discussion (and anger) over Twitter’s proposals to turn what is currently a “raw” feed into an algorithmically-curated feed. In other words, they’re taking Facebook’s approach of showing only updates in which they decide you’re likely to be interested. For advertising-funded services with shareholders, attention conservation is an important thing. If they want to mix in advertising to make it seem more “natural” and “organic” they have to ensure that you don’t miss it as you follow and friend more and more people. The same goes with email, which is one of the reasons Google segmented the inboxes of users of its Gmail service last year. They’ve recently started selling advertising space in the ‘Promotions’ tab. Twitter has promoted tweets. Facebook holds updates at the top of your stream longer if they mention keywords being paid for by their advertisers.

Doug Belshaw

Thankfully, at the time of writing, there are at least three things you can do about this. You can reject algorithmic feeds by doing one or more of the following things.

1. Turn on latest tweets

Thankfully, Twitter actually still allows you to switch from the default algorithmic timeline to show ‘latest tweets’. Of course, they’ll sneakily switch it back when you’re not looking, but at least the option is there.

Animated gif showing how to switch to latest tweets.

2. Use TweetDeck with lists

TweetDeck is an independent, third-party client that Twitter acquired. It’s a powerful view, although it can all get a little bit overwhelming when the ‘following’ column moves quickly, but you can solve this by using Twitter Lists. As you can see in the screenshot below, I have a list (that I really need to update) called ‘Core’.

Screenshot of TweetDeck

3. Turn on notifications for individual accounts

While not a scaleable solution, if there are certain accounts from which you want to see every tweet, you can choose to be notified in your Notifications feed.

Example of how to turn on notifications per Twitter account

So there we are! It’s sad that we have to find ways to defeat the algorithms, but either we do the curating, or machines do it for us. And I know what I prefer…


Header image by visuals

No more performative professionalism

Eight years ago when I went to work at Mozilla, I quit LinkedIn. I then rejoined it when I left. It’s a platform I love to hate, one that it feels weird even describing as a ‘social network’.

Things happen on LinkedIn that would never happen anywhere else. It is, as Fadeke Adegbuyi calls it, an ‘alternative universe’, one where those with the power to give people jobs make up or embellish stories which then go viral.

These stories are relayed dramatically in what’s now recognizable as LinkedIn-style storytelling, one spaced sentence at a time, told by job-givers with a savior complex.

On LinkedIn, jobs are not a trade between an individual and a corporation, or a way to fill the space between 9 to 5. On LinkedIn, jobs are life-affirming or life-saving opportunities, rescuing people from a life of meaningless toil or imminent ruin.

Fadeke Adegbuyi, LinkedIn’s Alternate Universe (Divinations)

I’m sure we’ve all seen these stories, probably reshared by someone you met at a conference five years ago. As a result, the number of people I’ve chosen to ‘unfollow but remain connected’ increases every week. Others might be, but I’m not on LinkedIn for professional storytime.

Reduced to its simplest form, LinkedIn is a digital resume. A profile consists of your past work experience, education, skills, and references. The posts, comments, and messages are like a cover letter. But we’ve long decided that there are better ways to showcase your ability than a list of the places you’ve worked, the school you went to, and a hastily drafted plea for work. Resumes are old scrolls of a bygone era. If LinkedIn is a site meant to demonstrate you’re an expert, it’s competing against all the places you can do this better. 

Fadeke Adegbuyi, LinkedIn’s Alternate Universe (Divinations)

I’m not sure that’s entirely true. LinkedIn remains a useful place to which people do actually pay attention, albeit often grudgingly.

Now I’m not really using Twitter, it feels like one of the only places I can connect with my existing professional networks is LinkedIn. Mastodon and the rest of the Fediverse isn’t really for that kind of stuff. Not yet, anyway.

So, like lots of people, I’m in what Adegbuyi calls a ‘hostage situation’ where we follow the work of others (and provide updates on what we’re doing) to keep ourselves in the minds of people who might be able to give us work. We’re not desperate, we’re just hedging our bets.

LinkedIn is bizarre because it tries to make this hostage situation fun. Even though it’s not. Not when you add stories, audio messages, DMs, a social feed, or anything else. The platform might be less alternate universe and more down to earth if the truth was acknowledged: performative professionalism, job hunting, and networking are extensions of work not play. As long as LinkedIn pretends otherwise, we can also pretend that we’ll never be desperate enough to use it in earnest.

Fadeke Adegbuyi, LinkedIn’s Alternate Universe (Divinations)

It would be disingenuous for me to say that I don’t find LinkedIn handy for some things. I’ve discovered opportunities through the platform, made connections with people, and found out genuinely useful information.

But what makes me a little sad inside is that the whole thing is built on the assumption that capitalist competition is a good thing. It’s predicated on celebrating spurious awards that people and organisations have (often) paid to be in the running for. And, to be honest, the performative professionalism highlighted by Adegbuyi makes the whole thing a bit cringey.

With Twitter, it got to the stage for me where the value of not using the platform outweighed the value of using it. For example, by avoiding Twitter I’m calmer, more focused, and see fewer adverts every day. With LinkedIn, I can see the day is coming when the balance tips to the negative. For now, though, I think I’ll just bring my whole self to the platform: no more performative professionalism.


This post is Day 73 of my #100DaysToOffload challenge. Want to get involved? Find out more at 100daystooffload.com. Oh, and please do connect with me on the Fediverse!

css.php