So 2000-2009, commonly referred sniggeringly as the ‘noughties’, has come and gone – and with it the majority of my twenties. For all of it I listened to what I would deem quality music, and for a good deal of it used Last.fm to track what I listened to (and make recommendations). The visualization above shows my listening habits for part of 2009, courtesy of LastGraph.
It’s not always the case that what you listen to most is the music you actually love the most. In fact, quite often it’s the case that you save music for special occasions or ration it so familiarity doesn’t breed contempt. So here are the three tracks that were made in the ‘noughties’ that I love the most – and why. The links will enable you to listen to the song on Spotify. 🙂
I remember being in Café Rouge in York with Hannah when we heard this for the first time. It must have been 2003 as we were just married. We asked the waiter which album was playing and he replied it was John Mayer’s Room For Squares. I went home and immediately bought the CD. Annoyingly, however, it’s the only album of Mayer’s that isn’t available on Spotify (which I now use instead of CDs and MP3s).
What I love about 3×5 is the feeling of distance, the sense of the inexpressible in the lines:
Today I finally overcame
tryin’ to fit the world inside a picture frame
Maybe I will tell you all about it when I’m in the mood to
lose my way but let me say
You should have seen that sunrise with your own eyes
it brought me back to life
You’ll be with me next time I go outside
No more 3×5’s…
In perhaps my first use of the term, I’d call it a ‘bittersweet’ song. It’s positive yet mournful at the same time. I wish the live version did the studio version justice. It’s legendary – perhaps even more so in the context of the rest of the album. 🙂
When this came out I was working at HMV in Meadowhall, Sheffield. The Cinematic Orchestra produce that sound that’s all encompassing and envelops you. I absolutely adore, for example, the soundtrack to the film The Crimson Wing: Mystery of the Flamingos they did recently. The first three-and-a-half minutes is Cinematic Orchestra at the top of the game. Then Roots Manuva’s rhyming kicks in.
His lyrics make little sense. That doesn’t matter. It’s more than the sum of it’s parts. Wonderful. :-p
Like the rest of the known world, I found Bon Iver’s album For Emma, Forever Ago to be beautiful and with an engaging backstory. However, it was when I started using Spotify that I came across the excellent EP Blood Bank – containing the sublime Woods. It’s rare for a track to be perfectly matched in sound, concept, and execution, but that’s exactly what we find here.
Wondeful melodies combine and build up to a crescendo. Use of auto-tune actually adds to atmosphere of the song, being used to make elements sound almost like wolves howling. It’s an extremely atmospheric track. One to play with headphones on, alone. I love it. 😀
Although you wouldn’t know it from the above, my tastes are fairly eclectic. I’m as likely to listen to The Prodigy as I am to some Ludovico Einaudi. But the above are those I come back to time and again. I’ll no doubt have made some glaring omissions – if so I’ll come back and edit this.
I like music. A lot. I listen to as much as I can as I believe it makes me more productive.* As a student I worked in HMV at Meadowhall in Sheffield and bought a prodigious amount of CDs. When I did my MA in Modern History I sold many of them to fund my living expenses, but still many remained. I hadn’t ripped them all to MP3 but still had around 100GB of my 250GB taken up with MP3s. I deleted all of that today, leaving only my downloaded podcasts:
After my week of divesting the only CDs that aren’t in boxes ready to be sent off to Music Magpie or Amazon customers are those (nine) that I’ve decided to keep as artwork.** I signed up for a Spotify Premium account the day after their iPhone app became available. It costs £9.99 per month to upgrade from the Free account. For that you get, amongst other things, the usage of their iPhone app (which doesn’t work with a Free account), a higher streaming bitrate and no advertisements.
That’s not to say that Spotify features every album and every piece of music that I’ve ever listened to. But I reckon that they’ve got about 90% of the stuff I search for. That’s good enough for me, especially given my eclectic, ever-changing taste in music and the fact they add thousands more track to their library every week – check out their blog!
The streaming model makes sense. Now that a decently-fast internet connection is available to me pretty much everywhere I go, there’s no need for me to manually sync and carry around with me a partial collection of music I like. Much better to have access to a much bigger collection everywhere I am. 🙂
Of course, there are times when your internet connection isn’t so good (or even non-existent). It’s for these times that Spotify has made playlists that you create available offline. Up to 3,333 tracks can be cached for offline play at any one time. That’s certainly enough for me!
Finally, then, there’s the problem of making Spotify’s vast library user-friendly. A start has been made via SpotifiTunes (see my library here) which takes your iTunes XML file and creates a list of Spotify links. Wanting an up-to-date version of this, I’ve created a workspace on my wiki dedicated to this. To access this, click on the ‘Music’ link at the top of this blog or click here!
What do YOU think about Spotify and the like? Will you be signing up any time soon? 😀
I read Dave Eggers’ book They Shall Know Our Velocity a few months back. In it, one of the main characters talks about the ‘slow suffocation of accumulation’ and seeks to give away a large amount of money. I’ve been feeling that suffocation recently, as I explained in the introduction to this week’s focus on ‘divesting’.
Way back in the sands of time (OK, less than 10 years ago) I was an undergraduate student in Sheffield I and I used to work part-time for HMV. I didn’t actually take home that much money as most of it was invested in DVDs and CDs. I even got 40% off the Sale stuff! I say ‘invested’ as I funded a large chunk of my living expenses whilst I was doing my MA at Durham University by selling part of my collection. Although not to the same extent, I did similar working at various bookshops both before and after university.
And therein lies the rub. I’ve been lulled into a belief that one should own a physical collection of DVDs, CDs and books. As though having a personal library somehow defines you, makes you look more intellectual, or even constitutes some kind of artistic statement. I’ve realised that’s not the case.
As I commented in my introduction to this series [link] I’ve been prompted recently into reflecting on my relationship to ‘stuff’. I’ve realised that, having moved house twice within 18 months, I’ve spent a great deal of time and physical labour moving things I will not watch, listen to or read for a very long time. Yet I’m responsible for it. I’d be upset if it were stolen or I lost it for some reason. Why?
So I’ve decided that it’s going. “What, all of it?” I hear you ask. As far as I see it, there are two approaches I could take:
The over-the-top, ‘throw the baby out with the bathwater’ approach.
The Pragmatic approach.
Pragmatism is a philosophical approach and method that I’m applying in my Ed.D. thesis. To summarise very briefly and in relation to what I’m talking about here, it holds that for something to make a difference, it has to make a difference in practice. For example, a book may have had a profound impact on my way of conceiving the world and my development as a person. That doesn’t mean it has to sit on my shelf. I may really, really, love a particular album. That doesn’t mean I have to own the physical CD as opposed to a digital version. The same goes for DVDs.
But I need to be careful or I could end up trading one problem for another. In divesting myself of physical clutter I could gain, as it were, ‘digital clutter.’ This is something I shall be discussing and wrestling with later in the week.
What’s my plan, then, to deal with physical media? It’s a fairly straightforward 4-step process:
Anything I can, and feel should, replace with a non-physical version (e.g. CDs, DVDs) I shall do.
Any book I haven’t yet read or DVD I haven’t watched stays until I have done so.
Those physical objects that are collectors items, worth more than a nominal value and fit into one box I shall keep as they are likely to gain in value. I can then sell these when Ben is older to add to his trust fund.