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Two years of spending more time in ‘dark forests’

Trees in a forest

Back in 2019, Yancey Strickler wrote:

Imagine a dark forest at night. It’s deathly quiet. Nothing moves. Nothing stirs. This could lead one to assume that the forest is devoid of life. But of course, it’s not. The dark forest is full of life. It’s quiet because night is when the predators come out. To survive, the animals stay silent.

Is our universe an empty forest or a dark one? If it’s a dark forest, then only Earth is foolish enough to ping the heavens and announce its presence. The rest of the universe already knows the real reason why the forest stays dark. It’s only a matter of time before the Earth learns as well.

This is also what the internet is becoming: a dark forest.

In response to the ads, the tracking, the trolling, the hype, and other predatory behaviors, we’re retreating to our dark forests of the internet, and away from the mainstream.

In doing so, he gave a name to something many of us had been feeling: that the fully-public spaces we previously inhabited in a carefree way are increasingly ideological battlegrounds. In response, we crave “depressurized conversation… possible because of… non-indexed, non-optimized, and non-gamified environments”.

I’ve spent a lot less time on Twitter in the last couple of years. But it’s changed and I’ve changed, and I find more joy, fulfilment, and recognition elsewhere these days. Slack channels, corners of the Fediverse, and Signal chats have become a lot more important in my life.

As Strickler wrote in a follow-up post, however, we can’t just stay in the forests all of the time. To “expect anything to change for the better”, he says, “we have to actively engage”. For some people, that will look like the digital equivalent of punching nazis. But for others, it will look like building, maintaining, and evangelising spaces which are more conducive to the depressurised conversations we often seek.


In a bid to be ever-more-present for my family and my own mental health, I’ve been experimenting again with Pinafore, an alternative front-end for Mastodon. Devoid of commercial imperatives to ‘hook’ users, this webapp implements easy-to-use toggles based on guidelines from the Center for Humane Technology. (You may remember the latter from the Netflix documentary The Social Dilemma.) For example, you can turn the interface to greyscale, hide boosts and unread notifications, and make it so you have to press a button to reload the timeline.

Small differences, to be sure. But I’ve noticed that it makes a noticeable difference in lessening the number of times that I may mindlessly pick up my phone to do the dreaded ‘stare and scroll’…


Image based on an original by Kilian Kremer

Identity, obedience, and social media

One of the things I find invidious about social media is the ‘norming’ that happens at scale. People are simultaneously performing for others and conforming to their status as member of a particular group.

Identity is important. It’s the way we understand the world around us and our place in it. It’s also a fluid construct that changes over time. That’s why groups have a vested interest in ensuring that either their members change to conform to a shared group identity (usually) or the shared group identity changes to reflect the times (rarely).

One way of thinking about group formation is in terms of customs and habits of that group, but also, as Michel de Montaigne’s best friend pointed out, voluntary servitude:

Nevertheless it is clear enough that the powerful influence of custom is in no respect more compelling than in this, namely, habituation to subjection.

Etienne de La Boétie, The Politics of Obedience

We are all born into groups which define our reality, becoming habituated to the subjection imposed by them. Sometimes by accident, often due to some form of crisis, we find our way out of them and discover a world we didn’t previously know existed.

Let us therefore admit that all those things to which he is trained and accustomed seem natural to man and that only that is truly native to him which he receives with his primitive, untrained individuality. Thus custom becomes the first reason for voluntary servitude. Men are like handsome race horses who first bite the bit and later like it, and rearing under the saddle a while soon learn to enjoy displaying their harness and prance proudly beneath their trappings. Similarly men will grow accustomed to the idea that they have always been in subjection, that their fathers lived in the same way; they will think they are obliged to suffer this evil, and will persuade themselves by example and imitation of others, finally investing those who order them around with proprietary rights, based on the idea that it has always been that way.

Etienne de La Boétie, The Politics of Obedience

As I approach 40, I’m determined to check ways in which I’m acting in ways that could be considered servile. And remove them from my life.


This post is Day 23 of my #100DaysToOffload challenge. Want to get involved? Find out more at 100daystooffload.com

On the difference between people-centric and resource-centric social networks

Something Tom Murdock said recently resonated enough with me that I felt the need to write it down in a place that I can reference. Here is as good a place as any!

I’m leading Project MoodleNet, which is currently described as “a new open social media platform for educators, focused on professional development and open content”. Tom mentioned that he saw an important difference between ‘people-centric’ and ‘resource-centric’ social networks.

(Note: it’s been a couple of weeks since that conversation, so anything witty or clever I say in the next few paragraphs should be attributed to him, and anything confusing or stupid should be attributed to me)

I should also point out that I blog about things I’m thinking about here, whereas the official project blog can be found at blog.moodle.net.

What is a resource-centric social network?

A people-centric social network is something like Facebook or LinkedIn. Users have a single identity and want to follow or connect with you as a person. A resource-centric social network is something like Pinterest or Thingiverse where people interact and engage with you through the resources you’re sharing.

I think most people reading this will understand how Facebook and LinkedIn work. Imagine them towards one end of the spectrum, and Pinterest and Thingiverse towards the other. Twitter is an interesting case here, as users can have multiple accounts and follow non-human accounts. I suppose it would probably be somewhere in the middle of the spectrum.

A quick tour of Thingiverse

I think Project MoodleNet is more of a resource-centric social network. To illustrate that, I want to explore Thingiverse, a wonderful site I came across recently after acquiring a 3D printer. Here’s what the About page says:

MakerBot’s Thingiverse is a thriving design community for discovering, making, and sharing 3D printable things. As the world’s largest 3D printing community, we believe that everyone should be encouraged to create and remix 3D things, no matter their technical expertise or previous experience. In the spirit of maintaining an open platform, all designs are encouraged to be licensed under a Creative Commons license, meaning that anyone can use or alter any design.

So it’s:

  1. A registered trademark
  2. Owned by a company
  3. Focused on makers
  4. Allows the sharing of open content
  5. Encourages remixing

In that sense, it’s a very interesting model for Project MoodleNet.

Let’s look a little more closely. Below you can see the home page. The site is obviously curated by real human beings, as they’ve featured particular designs, and created collections which include designs from different users. There’s a feed of latest activity, the calls to action in the top menu bar make it obvious that this is a living community full of creative people.

Thingiverse home page

The next thing you notice when you click through onto a particular design is that there’s a lot of information here to help orient you. There’s a clear call-to-action below ‘DOWNLOAD ALL FILES’ but also we can see how many times it’s been liked, watched, commented upon, and remixed.

Thingiverse design

Click on the remix button and you get to see those who have remixed the original design in some way. If the design you’re looking at is itself a remix, it also allows you to look at the original, too.

Naturally, you want to know a little bit about the person who created it. Perhaps they’ve created some other things you’d like? Clicking on the user name reveals their Thingiverse profile.

Thingiverse profile

There’s lots of information about the person here: their username, location, Twitter profile, website, short biography. However, the focus is still on their resources. What have they designed? What have they shared?

The last thing to highlight is how Thingiverse deals with openly-licensed resources. When you click to download the files, the first thing that pops up is a windows that tells you in no uncertain terms about the license under which this resource has been made available.

Thingiverse CC licensing

In addition, it encourages you to ‘show some love’ to the designer. You can tip them using money via PayPal, and you can take a photo to ‘document’ your 3D print of their design, and you.

Final thoughts

I’m very impressed with the thought that’s been put into Thingiverse. I don’t know the history of the community, but it feels like something that has responded to users. In turn, I should imagine that when those who are regular users of Thingiverse come to purchase their next 3D printer, Makerbot will be top of their list. It’s a virtuous circle.

So there’s a lot to learn from here that we can apply to Project MoodleNet. I like the way that they make it easy for people new to the community. I love the ease by which you can use the fork-remix-share approach that developers are used to on GitHub, but many educators are still yet to discover. And I adore the way that they encourage users to ‘show some love’ to original resource creators, educating them on how to use openly-licensed content appropriately.

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